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I used to tell people I met on airplanes or at parties that I wrote about jazz for a living. Once they got past wondering just what type of “living” that amounted to, they’d smile and say, “I love jazz,” then pause, adding, “But I don’t know that much about it.”

They were leery, thrown off by chart-and-graph references to jazz’s development &ndash stuff like how ’40s swing begat ’50s bebop, which gave rise to ’60s free-jazz and all that. As if there was a textbook (well, actually some critic friends of mine are writing one, but that’s another story) and there might be a test, you know. Not to mention the political squabbles: why swing was king or bop the thing or how ’70s fusion killed it all.

Or maybe they’d been put off by all that technical talk: flatted fifths and extended chords and the numbers behind swing’s rhythmic propulsion &ndash like it was rocket science or something.

Then there’s the cult aspect: those older guys bending and swaying at the back of the club, making like Jewish elders swaying to an fro at temple, or the generalized bowing down before deities such as Louis Armstrong and Charlie Parker and John Coltrane (not to mention the infighting about just who deserves saintly status).

Thing is, jazz isn’t any of that &ndash and is all that. Appreciation requires no previous knowledge, yet continued listening offers all constant enrichment. The technical aspects of jazz’s musical achievements have both the beauty and complexity of higher math: And the music has genuine religious heft, owing to both time-honored spiritual traditions and in-the-moment meditative thought.

I can’t give you a 12-best list, or tell you that what follows tells the story in full. But the following list expresses lineages of thought, instrumental technique, rhythmic ideas and group conception. The dots are easy to connect, the names clearly indicated and the sounds unforgettable.

And this list is like those sponge toys that, placed in water, magically grow overnight. Listen, and you’ll find expansive knowledge easily absorbed, not to mention natural links to many more artists and recordings.

Listen Hot Fives And Sevens

Artist: Louis Armstrong

Release Date: 1925

To tell the story of jazz without Louis Armstrong up top is to cut off the head of the living organism that is jazz. Armstrong was a giant of a trumpeter, he was an influential singer and perhaps most important, he transformed jazz from a strictly instrumental music into a complicated blend of solo and ensemble sound. In that sense, nearly all the 20th century jazz that followed flowed from the innovation of these recordings. Over the course of these sessions, you can hear the transformation in process, from traditional New Orleans collective style to a different blend, with the clarion call of Armstrong’s horn pointing the way.

Listen The Art Tatum Solo Masterpieces Volume 1

Artist: Art Tatum

Release Date: 2001

Any one edition drawn from this eight-CD set will do. And any one is enough to give a sense of the enormity of Tatum’s genius and its far-reaching effects on all the music that followed. Tatum simply played more piano &ndash got more out the instrument &ndash than any other musician. He was a direct link from the whorehouse piano men to the classical soloist. Here, late in life, he plays song after song and, beginning with “Too Marvelous for Words,” he builds each one into a concerto of melody, harmonics, and improvisation that set the bar high and establish the logic for much of modern jazz.

Listen The Carnegie Hall Concerts: January 1943

Artist: Duke Ellington

Release Date: 1943

Little in jazz compares with the majesty, finesse, integrity and spark of Duke Ellington’s bands during the ’40s. It was a moment when jazz straddled two functions as it never will again: it was popular music, reflective of the nation’s heart and mind, and artistic revolution, charting new waters. In Ellington, as perhaps in no musician other than Louis Armstrong, jazz had a leader who understood both drives. It was a dream of Ellington’s to play Carnegie Hall, and it anticipated the Lincoln Center achievements of Wynton Marsalis today. This recording contains both shorter tunes (marvelous miniatures of great scope) and Ellington’s more ambitious, longer-form work “Black, Brown, and Beige.” There are stellar solo statements by players including saxophonists Ben Webster and Johnny Hodges, but really, it’s the brilliant cohesion of the full band and Ellington’s overall vision that makes this music timeless.

Listen Tomorrow Is The Question

Artist: Ornette Coleman

Release Date: 1959

Ornette Coleman’s music has always leaned on tradition &ndash listen to some Charlie Parker and you’ll hear echoes of it here &ndash distilled into something new and pointed straight toward the future, or curled up like a quizzical phrase. Here, Coleman’s title begs both ideas. And the music announced his pianoless quartet setup: the harmonics of chord changes alone would no longer confine Coleman’s music, replaced by his own personal science bent on liberation. The way Coleman and trumpeter Don Cherry shadow each other’s lines and exchange ideas, the process sounds closer to pure joy than hard science. Nearly a half-century later, it still sounds fresh.

Listen Alone In San Francisco

Artist: Thelonious Monk

Release Date: 1959

The hippest, most addictive thing I got turned onto in college was Monk’s music. I’d never heard anything like it, and it opened up a whole new idea for me of how the piano could sound and of what music could do: his compositions, his every arpeggio or tone cluster, contained math, R&B, Abstract Expressionism and slapstick humor. I went on to discover a world of jazz musicians, all touched directly or indirectly by Monk, but none who sounded quite like him. And though Monk recorded quite a few notable albums leading stellar bands, though his music led others to play with a special insight and cohesion, it’s Monk alone at the piano that I crave: Straight, no chaser. Here, early in his career, by himself, Monk transforms San Francisco’s Fugazi Hall with the unique architecture of his piano playing. This isn’t what all of jazz sounds like: It’s what the world of jazz after Monk looks like.

Listen Bill Evans Trio: Sunday At The Village Vanguard

Artist: Bill Evans

Release Date: 1961

There’s plenty of religious, folkloric and literary evidence to support the idea that three is a magical number: Bill Evans’s trio might be jazz’s mightiest argument for that case. Evans was one of jazz’s most lyrical pianists, and he’s at his best here. But it’s the nature of this trio that elevates most of all: neither Evans nor bassist Scott LaFaro nor drummer Paul Motian stick to customary roles. And in the three-pointed cheese slice of a room that is the Village Vanguard (the closest thing to sacred space remaining in jazz today) the music takes on a prayer-like quality.

Listen Live Trane: The European Tours

Artist: John Coltrane

Release Date: 1961

By 1961, Coltrane’s soloing style &ndash the free flow through chord changes and scale-based improvisations that critic Ira Gitler dubbed “sheets of sound” &ndash was his signature. His band concept was similarly bent on expanding boundaries and explosive energy. Coltrane may have laid down some of jazz’s most memorable studio sessions, but there’s really nothing like him caught live. These tracks, drawn from a three-LP set, find him in two powerful contexts over the course of four years: in a 1961 quintet including Eric Dolphy on alto sax, flute and clarinet; and fronting his classic quartet at concerts in 1963 and 1965. The fire and especially the communion between Coltrane and drummer Elvin Jones on the later material is a thing to behold.

Listen Spiritual Unity

Artist: Albert Ayler

Release Date: 1964

The first release on Bernard Stollman’s ESP label, this is the session that pushed Albert Ayler to the forefront of jazz’s avant garde. He remains a touchstone for any open-minded musician wishing to explore the sonic possibilities of a given instrument, to exploit the aggregate effect of any small group and to mine the spiritual heft of musical expression. To some, the arsenal of sounds Ayler coaxed from his saxophone &ndash screams, squeals, wails, honks and a mile-wide vibrato when he felt like it &ndash represented newfound contortions of sound; to others, they harked back to early jazz evocations, like Sidney Bechet’s soprano sax. Ayler’s appeal anticipates the current axis that connects punk rockers to free jazz: He took the simplest of song structures and turned them into the most complex of visceral splatters. His “Ghosts,” here rendered in two versions, will truly haunt you.

Listen Afro-Cuban Jazz Moods

Artist: Dizzy Gillespie And Machito

Release Date: 1975

Back when I edited a jazz magazine, I’d find regular annoyance with writers who thought Latin jazz was a tiny sidebar to American jazz. Jazz is many stories, a central one being the African Diaspora. The music of Latin America, South America and the Caribbean are cousins to American music (and they contain some rhythmic secrets we’ve forgotten, I’d say). Cuba in particular has a special musical relationship with the United States, and trumpeter Dizzy Gillespie was one among jazz’s ranks who honored that truth with depth and style. Though Dizzy made his Big Cuban Bang decades earlier, this 1975 session finds him with the famed band of Frank “Machito” Grillo, featuring the great Cuban trumpeter Mario Bauz

When downloading MP3 files online, usually you will quickly build up a large music collection. Keeping them on your computer is dicey because if your PC crashes all those music files could be lost.

MP3s, like all important computer data, needs to be backed up. However, instead of treating MP3 files like other computer files, many people prefer to convert their online music files into audio CDs. Converting MP3 files into CDs is a rather easy procedure.

Most CD burning software can do the conversion for you automatically. You simply build up your collection of MP3 songs and burn a CD. Before the CD is burned, the MP3s will be converted into Compact Disc Audio (CDA) files. This is done for you automatically with many CD burning programs, like Nero, but if you choose you can take more control of the CD burning process.

For instance, Nero has an easy audio editor that allows you to break up files and use filters such as equalization, noise reduction or stereo widening. If your CD burning software does not provide these extra features, you can continue to process the MP3 files before burning the CD. In this circumstance, you’ll need dedicated audio editing software. There are a variety of freeware and commercial programs available online to choose from.

When getting your MP3 files ready to burn to a CD, one of the most helpful editing functions you can do is to ‘normalize’ all of the files. Normalization is a process that smoothes out the differences in volume between different tracks - this ensures that your entire music CD will play at about the same loudness.

Once you have finished editing your files, you’ll need to save your MP3 files to WAV. Converting MP3 to WAV is necessary so that they can be burned to CD. More than likely, you will be burning your MP3s to a CD-R (Compact Disc Recordable). Newer model CD players can handle this type of CD, however, an older CD player may not be able to identify them.

Instead of converting MP3 files to audio CD, you can burn MP3s directly to CD in their original MP3 format. This will allow you to store a lot more music on one CD. Another advantage of MP3 CDs is that they can be played on many CD and DVD players and they can also be played in a computer CD-ROM.

A disadvantage of the MP3 CDs is that because there are so many songs on one disc it can be very difficult to find a particular song you want to listen to.

One way to solve this problem is to use them on a DVD player connected to your home theater system. Usually DVD players can handle MP3 CDs and will even display the tracks on the TV set. However, the filenames may be fixed to only eight characters, and therefore, you should give special attention beforehand about how to categorize your MP3s before burning to a CD.

Here are some tips on how to organize your MP3 music files:

1) Divide your songs into separate folders. You can choose a folder for each artist or a folder for each genre.

2) Always begin the filename with the name of the song instead of the artist. This prevents all of the file names being displayed exactly the same.

3) Be careful when naming your MP3 files and remember that it’s very easy to rename your files using MP3 tag editors. Today’s ID3 tag software is designed to rename MP3 files using a variety of criteria. To rename your entire music collection fast, simply check the option that puts the song title at the beginning of the filename.

Converting your MP3s into audio CDs is an easy process with the help of quality MP3 converter software and proper MP3 file organization skills. Good luck.

You get into the online music world. You’ve had this song playing in the back of your mind all day and now you’ve decided that you want to download it. You search for it specifically and find that there’s a site that is offering you exactly the song you want for free.

All you had to do is give them your email. You download it. The next thing you know you have a pop up coming out every time you open your browser window.

You failed to notice all the signs that told you this was going to happen. The banners, the smiley ads, the popups, you just thought you could download it in a clean file.

This happens every day. This is what happens to many people that are looking to download music online. They fall prey to the illegal sources taking advantage of millions of people downloading music out there.

Fortunately people are smartening up and starting to notice that illegal downloads from dubious sites are something to stay away from from the beggining. They are starting to notice and become aware that these downloads sometimes can cost you many times the price of a of a single music file download and can be hazardous to your computer.

There are new alternatives to download music that are proven to be cost effective and can become a “one for all” kind of resource that you can turn to. Places where you can just search for that tune you want (the one that’s been on your head all day), point on it and download it without having to worry about getting a trojan virus just for doing so.

I highly recommend for the sake of your computer, your peace of mind and to avoid downloading bogus files, for you to be sure you download all your songs from a legal source that you can trust. There’s nothing better than having the confidence that when you open up an Mp3 file you just downloaded and knowing it’s going to play exactly what you had in mind.

When you do it like this, when you do it the smart way, it all becomes much simpler, more effective and a ride that you’ll want to repeat over and over again. That’s all there is to downloading music when you’re doing it right. Next thing you know you’re cranking your mp3’s on your computer you’re playing them as loud as you can.

Many people use P2P file sharing networks to get free MP3 downloads - and variety of other free file downloads including; movies, games, ringtones, videos, tv shows and software files.

However, the truth is that in using a free P2P file sharing network, you could be putting your computer and online privacy at risk. And if that’s not bad enough, using a free MP3 downloads file sharing program could also get you in serious trouble with the RIAA and the MPAA.

It’s no secret that the RIAA has been actively seeking out music file sharers online who illegally download or share copy-righted music online. And recently, the MPAA has started their own campaign to sue file sharers that are downloading and sharing movies illegally as well.

Furthermore, besides possible RIAA MPAA copy-right infringement lawsuit risks, there’s more to be concerned about. In using file sharing networks to get free MP3 downloads, there are a variety of hidden dangers you need to be aware of, including these top risks …

The Risks of Using File Sharing Networks:

1) Adware - Most file sharing networks have adware installed in their software programs. Adware, advertising-supported software, is a business model that works by large media companies offering shareware developers banner ads to put in their products. In return, the media companies provide the software developers a portion of the revenue generated from the banner sales. The truth is that adware will load your pc with large amounts of unwanted advertising and can cause a variety of computer system problems.

2) Spyware - Spyware is often installed in shareware downloads, including free MP3 music download networks. Spyware secretly sneaks around in the back-round of your computer gathering information about you and your surfing habits. Spyware has the ability to perform activities hidden to you - and can even change files and your computer system settings.

3) Spoofing - Many P2P file sharing networks are stuffed with corrupt and fake files. Spoofing occurs when you start a free MP3 song download, but instead of your MP3 song being downloaded, you get a corrupted music file, or a 20 to 30 second music loop that continues on for about 3 - 4 minutes. There is talk on the net that the RIAA may be behind many of these spoofing tactics as a way to get people to pay for legal MP3 downloads.

4) Pornography - Pornography is a very serious problem with P2P file sharing networks. Every P2P network user should be aware that porn peddlers camouflage their software as a new game download or free MP3 downloads files to get you to click on the link. Once you click you’ll be redirected to a porn site - it’s sneaky and a very serious problem if children get access to file sharing networks.

Free MP3 Downloads Summary:

So is it safe getting free MP3 downloads using file sharing networks? The truth is that controversy, dangers and risks continue to surround the use of P2P file sharing networks.

Furthermore, the possible RIAA and MPAA copy-right infringement lawsuit risks are very real. It’s critical to learn all you can about a file sharing network before using it. A little caution and common sense goes a long way when looking to download music online.

And remember, there are many affordable legal music sites available for you to choose from that are risk-free and worry-free. You can even find a good selection of free legal music download sites that give you 100% free legal music.